Nickie Hayden, Healing Totems, oil on board, 72x99cm
Miriam McConnon, Domestic Resistance V, oil on canvas, 60x30cm, private collection
Eoin Mac Lochlainn, Caoineadh/war no. 28, charcoal and watercolour on Fabriano paper, 35x27cm
David Fox, The Caravan, Slieve Bloom Mountains, oil on canvas, 70x100cm
Yanny Petters, Dunes, Verre Eglomisé, 31x21cm
Sea Bindweed
Dunes are extremely sensitive to climate change with rising sea levels and powerful storms becoming more frequent. Many attempts to protect the shore have been undermined in recent years.
I have chosen two plants to represent this habitat which are very distinct in their nature.
The little Sea Bindweed, with its twining stems and delicate trumpets is delightful. The Sea Holly (next image) is a very sculptural plant and it’s colouring is most beautiful.
Mrs Mary Delaney whose wonderful paper mosaic flower pieces are familiar from the National Gallery of Ireland, produced botanically accurate flower portraits by cutting out shapes from coloured paper and mounting these on black card.
They are very distinctive, the dark background accentuating the flower’s delicacy and colour. So I have used my painting technique to interpret Mrs Delaney’s work to pay homage to a great lady who produced her beautiful works in her late 70s!
Yanny Petters, Dunes, Verre Eglomisé, 31x21cm
Sea Holly
Dunes are extremely sensitive to climate change with rising sea levels and powerful storms becoming more frequent. Many attempts to protect the shore have been undermined in recent years.
I have chosen two plants to represent this habitat which are very distinct in their nature.
The Sea Holly is a very sculptural plant and it’s colouring is most beautiful. The little Sea Bindweed (previous image) with its twining stems and delicate trumpets is delightful.
Mrs Mary Delaney whose wonderful paper mosaic flower pieces are familiar from the National Gallery of Ireland, produced botanically accurate flower portraits by cutting out shapes from coloured paper and mounting these on black card.
They are very distinctive, the dark background accentuating the flower’s delicacy and colour. So I have used my painting technique to interpret Mrs Delaney’s work to pay homage to a great lady who produced her beautiful works in her late 70s!
Kelly Ratchford, Spikey, mirror, stained glass, 10x7cm
Kelly Ratchford, The Gary Numans, stained glass, various sizes
Mary A. Fitzgerald, Slip Slip, Pink, acrylic on Gesso board, 18x18cm, private collection
Mary A. Fitzgerald, The Arrival, acrylic on Gesso board, 18x18cm
Sheila Naughton, Fathom, watercolour & gouache on rag paper, 47x 59cm framed
Eoin Mac Lochlainn, Genocide, mixed media collage, charcoal & wash, 57x97cm